George Phile’s “Riding the Wind”

Photographer George Phile
Title Riding the Wind
Category May 2013 / Bronze/ Color / First Place
Location Fort Funston, San Francisco, CA
Reason For Making the Image I am from San Francisco and have visited there at least one a year for the last 50 years or so and knew that Fort Funston was an ideal place for watching hang gliders.  I was in San Francisco for three weeks in May and spent parts of a couple of days at Fort Funston and took lots of pictures.   The one I entered seemed to capture the moment just before he heads north again. I liked the hang glider with the background of the coast as opposed to just the hang glider with the sky as background.
Camera Nikon D800E
Lens and focal length Nikkor 28-300mm at 70mm
f-stop f/ 4.0
Shutter Speed 1/5000 sec
ISO 400

Tom Foster’s “Hard Rain”

Photographer Tom Foster
Title Hard Rain
Category May 2013 /Gold/ Monochrome /Second Place
Location Near Alvin, TX
Reason For Making the Image The contradictory feelings about “home” that are suggested by an old, dilapidated house that was, and perhaps still is, someone’s home.
Camera Nikon D800
Lens Nikkor 35mm/f2.0
f-stop f/16
Shutter Speed 1/160 sec
ISO 800

Night Photography Tips

With our evening photowalk tomorrow evening, I thought I would share a few pointers for night photography in downtown Houston. If you have any comments or questions, you can post them on our facebook page in response to this post.

Safety First

S1. Be Situationally Aware. Pay attention where you step, back into, and swing your tripod.

S2. Be mindful of your flash. Flashing into an oncoming car, could temporarily blind someone. Flashing into a Metro vehicle is against the law. You also want to be respectful of people if taking their picture especially with flash at night.

S3. No one left behind. Get a smaller group to hang and converse with for the walk. Look out for each other to make sure no one gets left behind, or misses out on the most important point of the outing: Socializing with other photogs.

Tips

1. Camera in Manual Mode -  For night shots, Automatic mode does not work. The meter in your camera tries to make the exposure like daytime. You will need to know how to put your camera in manual mode, and be able to look at your camera meter.

2. Do not use auto-ISO -  Higher ISO adds more noise, especially in the shadows. Nighttime shooting is full of shadows, so keep your ISO as low as possible, below 800 for APC, and below 1600 for full frame.  Having your ISO fixed will also make it easier to adjust your aperture and shutter speed to get your desired exposure, i.e. one less variable moving around. I will keep mine between 200-800 ISO for my Nikon D600.

3. Use a tripod. At the lower ISOs, you will not be able to handhold your camera, and will need a tripod to get a steady shot.

4. Use a timer or cable release. The camera will shake when you press the button. The timer lets the camera settle before releasing the shutter. A cable release will actually give you more precise control if you are trying to capture that “decisive moment” on the street. I use a 2 sec timer.

5. Bring a flashlight. It will be dark, and your camera will not be able to autofocus without it. You will point the flashlight where you want to focus, and let the camera autofocus. If you use a small aperture/ high f-stop, you will not have to be too precise in your focus point.

6. Pre-focus your shot. You will want to get your shot in focus before you are ready to take the shot. “Back-button” focus works really well in this situation. It allows me to focus with my back button and then press the shutter release without affecting my focus. If your camera uses the default where the shutter release half way down does the focusing, you have 2 options. The first is to focus with your flashlight, then put your lens on manual focus, so the camera cannot change it. The second is press the shutter release halfway down, use your flashlight to get your focus, then press the release all the way.

7. Use a small aperture to get a starburst around your lights. f/16 is a good one to start with. Any smaller, and you might start losing sharpness.

8. Use Auto-White balance. The night lights are all over the place, so just set your WB to auto, and forget about it until post processing.

9. Shoot in Raw. Raw files will have more information to pull out detail in the shadows or adjust slightly blown-out highlights. You also have more control over your white balance in post processing. You will need a program to read the raw files like Photoshop Elements, Lightroom, or Aperture. If you have the software for Raw, but still feel intimidated, shoot in Raw + JPEG mode, and start to play with raw files.

10. Put your LCD in “Blinky” mode. This is the mode that will blink the blown-out highlights on you LCD. You can then tell very quickly whether you need to reduce your exposure. The lights will almost always be blown-out, this will just give an indication of the extent.

11. Do not use long exposure NR. It takes a second shot after the first, and will just slow you down. Depend on low ISO and your software to manage noise in post processing. If you have more patience than me, then go for it.

OK, that’s it. I look forward to seeing everyone at the walk tomorrow evening.

Dee Z.

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HPS Outing – Evening/Night Downtown Walk

Dee Zunker’s “Mirror on Main”

Photographer Dee Zunker
Website www.deezunkerphotography.com
Title Mirror on Main
Category May 2013 / “Special Assignment – Beyond Appearances”/ First Place
Location Downtown Houston, TX
Reason For Making the Image Staring and focusing at the reflections on the moving train seemed to transport my mind to a different place. Looking at the train, the reflection becomes a portal to somewhere else. You notice the man in the reflection and wonder if he is really here, or is he in another dimension.
Camera Nikon D600
Lens Tokina 11-16 mm f2.8 at 16 mm
f-stop f/11
Shutter Speed 1/6 sec
ISO 125

Laszlo Perlaky’s “Green Leaf Stamen in Blue”

 

Photographer Laszlo Perlaky
Webite http://Naturalperl.com
Title “Green Leaf Stamen in Blue”
Category May 2013 /Special Assignment/ Third Place
Location Washington on the Brazos State Park, Texas
Reason For Making the Image On one of my Wildflower workshops at Washington on the Brazos State Park, we photographed a large patch of blue color flowers. I remembered for the assignment and I started to look the flowers differently. Using my old makro Killar lens braced with a strong diopter lens, I laid down to the flowers placing them against the green grass background and looked for a special angle, when one of the flowers hairy leaf looked like a green flower petal but showing the other flower’s stamens as its own.
Camera Nikon D2X
Lens and focal length Makro Killar 90 mm f2.8 with a +6 diopter lens
f-stop f/2.8
Shutter Speed 1/1000 sec.
ISO 200